Timeline Paradise Tossed About the Noise in the Archives Fringe of the Fringe Date 04.06.2023 - 26.05.2024 Typ Exhibition Paradise Tossed Based on the video of the same name by Jill Scott from 1992, the series brings together works that speculate about dystopian but also hopeful future scenarios from a (queer-)feminist perspective Monika Funke Stern, Zum Glück gibt’s kein Patent, 1985, Filmstill © VG Bild-Kunst, Bonn 2023 für Monika Funke Sterni Date 01.01.2023 - 31.12.2024 Typ Projekt About the Noise in the Archives A diversity-sensitive approach to cataloguing the audiovisual holdings in the IMAI archive © Akiko Hada, 2021i Date 01.06.2021 - 31.05.2022 Typ Projekt Fringe of the Fringe A conference that seeks to bring together queer-feminist and antiracist strategies for archiving and cataloging the audiovisual documents of punk, postpunk, new wave, and industrial. From Until Category CategoryExhibitionsDistributionResearchProjectsScreeningsVideo BoxIMAI on TourPublicationsLecturesWorkshops Location LocationAachenBerlinBielefeldCologneDessauDüsseldorfEssenGhentMainzOberhausenSchwerteSiegburgWiesbaden NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Year 2014 Typ Book The Presence of the Ephemeral Accompanies the eponymous conference in November 2012. It was supplemented by the IMAI’s latest case study on the restoration of Zweileinwandkino (1968) by Lutz Mommartz. MISCHA KUBALL | CITY THRU GLASS, NY NIGHT, 1997 | VIDEOSTILL | © DER KüNSTLER UND IMAI DüSSELDORF, 2013 © DER KüNSTLER UND IMAI DüSSELDORF, 2013i Date 12.12.2013 - 13.12.2013 Typ Lecture Is Originality Copiable? On the Challenge of Digital Duplication in Media Art Conference Nationaler Kultureinrichtungen, Stiftung Bauhaus Dessau, December 12th and 13th, 2013 Gary Hill, Klaus Mettig, Katharina Sieverding VG Bild-Kunst, Bonn 2012i Year 2013 Typ Book Media-Art Installations: Preservation and Presentation NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Date 18.11.2012 Typ Case study Case Study 5: Nan Hoover, Light Composition The IMAI has conducted a feasibility study on the recnstruction of this work and in the process grappled with the problem of restoring time-based works of art. NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) © FOTO ELISABETH JAPPE, 2012i Date 15.11.2012, 10:18 Typ Conference The Presence of the Ephemeral Media Art in the Field of Tension between Conservation and Interpretation JAN VERBEEK "SISYPHOS" (1994/2012) i Year 2012 Typ Catalog Images against Darkness On the occasion of the exhibition Images against Darkness: Video Art from the IMAI Archive at KIT at KIT STUDIO AZZURRO: SKIZZE MULTI-MONITOR-INSTALLATION (1984) © STUDIO AZZURRO 1984i Date 01.01.2006 - 01.01.2011 Typ Projekt Case Studies on Restoration Methods for the long-term preservation of media art installations. KATHARINA SIEVERDING | TESTCUTS I | 2010 © IKS-MEDIENARCHIV / DIRK ROSEi Date 13.10.2010 Typ Case study Case Study 4: Katharina Sieverding, Testcuts I The installation Testcuts I by Katharina Sieverding was conceived and realized by the artist at the IMAI for the exhibition Projected Data Images: Testcuts as part of Quadriennale 2010. BILL SEAMAN, 3D-COMPUTER-ZEICHNUNG VON EXCHANGE FIELDS i Date 20.08.2010 Typ Case study Case Study 3: Bill Seaman, Exchange Fields In collaboration with the Institut für Restaurierungs- und Konservierungswissenschaften of the Fachhochschule Köln and the agency 235 MEDIA GmbH, an appropriate restoration and restaging of Bill Seaman’s Exchange Fields were worked out and implemented. First page « Previous page ‹ … Seite 8 Seite 9 Seite 10 Seite 11 Seite 12 Seite 13 Seite 14 Current page 15 Seite 16 Next page › Last page »
Date 04.06.2023 - 26.05.2024 Typ Exhibition Paradise Tossed Based on the video of the same name by Jill Scott from 1992, the series brings together works that speculate about dystopian but also hopeful future scenarios from a (queer-)feminist perspective
Monika Funke Stern, Zum Glück gibt’s kein Patent, 1985, Filmstill © VG Bild-Kunst, Bonn 2023 für Monika Funke Sterni Date 01.01.2023 - 31.12.2024 Typ Projekt About the Noise in the Archives A diversity-sensitive approach to cataloguing the audiovisual holdings in the IMAI archive
Monika Funke Stern, Zum Glück gibt’s kein Patent, 1985, Filmstill © VG Bild-Kunst, Bonn 2023 für Monika Funke Sterni
© Akiko Hada, 2021i Date 01.06.2021 - 31.05.2022 Typ Projekt Fringe of the Fringe A conference that seeks to bring together queer-feminist and antiracist strategies for archiving and cataloging the audiovisual documents of punk, postpunk, new wave, and industrial.
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Year 2014 Typ Book The Presence of the Ephemeral Accompanies the eponymous conference in November 2012. It was supplemented by the IMAI’s latest case study on the restoration of Zweileinwandkino (1968) by Lutz Mommartz.
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i
MISCHA KUBALL | CITY THRU GLASS, NY NIGHT, 1997 | VIDEOSTILL | © DER KüNSTLER UND IMAI DüSSELDORF, 2013 © DER KüNSTLER UND IMAI DüSSELDORF, 2013i Date 12.12.2013 - 13.12.2013 Typ Lecture Is Originality Copiable? On the Challenge of Digital Duplication in Media Art Conference Nationaler Kultureinrichtungen, Stiftung Bauhaus Dessau, December 12th and 13th, 2013
MISCHA KUBALL | CITY THRU GLASS, NY NIGHT, 1997 | VIDEOSTILL | © DER KüNSTLER UND IMAI DüSSELDORF, 2013 © DER KüNSTLER UND IMAI DüSSELDORF, 2013i
Gary Hill, Klaus Mettig, Katharina Sieverding VG Bild-Kunst, Bonn 2012i Year 2013 Typ Book Media-Art Installations: Preservation and Presentation
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Date 18.11.2012 Typ Case study Case Study 5: Nan Hoover, Light Composition The IMAI has conducted a feasibility study on the recnstruction of this work and in the process grappled with the problem of restoring time-based works of art.
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) © FOTO ELISABETH JAPPE, 2012i Date 15.11.2012, 10:18 Typ Conference The Presence of the Ephemeral Media Art in the Field of Tension between Conservation and Interpretation
JAN VERBEEK "SISYPHOS" (1994/2012) i Year 2012 Typ Catalog Images against Darkness On the occasion of the exhibition Images against Darkness: Video Art from the IMAI Archive at KIT at KIT
STUDIO AZZURRO: SKIZZE MULTI-MONITOR-INSTALLATION (1984) © STUDIO AZZURRO 1984i Date 01.01.2006 - 01.01.2011 Typ Projekt Case Studies on Restoration Methods for the long-term preservation of media art installations.
KATHARINA SIEVERDING | TESTCUTS I | 2010 © IKS-MEDIENARCHIV / DIRK ROSEi Date 13.10.2010 Typ Case study Case Study 4: Katharina Sieverding, Testcuts I The installation Testcuts I by Katharina Sieverding was conceived and realized by the artist at the IMAI for the exhibition Projected Data Images: Testcuts as part of Quadriennale 2010.
BILL SEAMAN, 3D-COMPUTER-ZEICHNUNG VON EXCHANGE FIELDS i Date 20.08.2010 Typ Case study Case Study 3: Bill Seaman, Exchange Fields In collaboration with the Institut für Restaurierungs- und Konservierungswissenschaften of the Fachhochschule Köln and the agency 235 MEDIA GmbH, an appropriate restoration and restaging of Bill Seaman’s Exchange Fields were worked out and implemented.
