Timeline Paradise Tossed About the Noise in the Archives Fringe of the Fringe Date 04.06.2023 - 26.05.2024 Typ Exhibition Paradise Tossed Based on the video of the same name by Jill Scott from 1992, the series brings together works that speculate about dystopian but also hopeful future scenarios from a (queer-)feminist perspective Monika Funke Stern, Zum Glück gibt’s kein Patent, 1985, Filmstill © VG Bild-Kunst, Bonn 2023 für Monika Funke Sterni Date 01.01.2023 - 31.12.2024 Typ Projekt About the Noise in the Archives A diversity-sensitive approach to cataloguing the audiovisual holdings in the IMAI archive © Akiko Hada, 2021i Date 01.06.2021 - 31.05.2022 Typ Projekt Fringe of the Fringe A conference that seeks to bring together queer-feminist and antiracist strategies for archiving and cataloging the audiovisual documents of punk, postpunk, new wave, and industrial. From Until Category CategoryExhibitionsDistributionResearchProjectsScreeningsVideo BoxIMAI on TourPublicationsLecturesWorkshops Location LocationAachenBerlinBielefeldCologneDessauDüsseldorfEssenGhentMainzOberhausenSchwerteSiegburgWiesbaden ISTANBUL TIME TRAVEL EXPERIMENT (2010) © HÖRNER/ANTLFINGER (2016) i Date 22.06.2016 - 03.07.2016 Typ Workshop Time Travel Experiment Workshop Series Time Travel Experiment Hörner/Antlfinger in collaboration with the Dipl.-Psych. Assad Zahran, Head of the Milton Erickson Instituts Köln Date 02.06.2016 - 03.06.2016 Typ Lecture Video Art in the Archive Preserve—Access—Research A lecture by Dr. Renate Buschmann 50. Rheinischer Archivtag, Siegburg, 2–3 June 2016 ROTRAUT PAPE: "DIE MAUER – DER VERTIKALE HORIZONT" (2015) © ROTRAUT PAPE 2016 © ROTRAUT PAPE 2016i Date 30.10.2015, 19:30 - 12.02.2016, 19:30 Typ Video Box VIDEO BOX 1 On Borders Curated by Dr. Renate Buschmann, Dr. Jessica Nitsche, Darija Šimunović Date 24.09.2015 - 25.09.2015 Typ Lecture The IMAI Foundation Between Archive and Collection Lecture as part of the conference "Video matters. A Conference by the Research Project Video Archive" September 24-25, 2015 Date 24.06.2015,18:00 - 20:00 Typ Lecture Media Art between Historical Presentation Practice and Curatorial Staging Date 16.06.2015 Typ Lecture Migration Processes in Video Art Weighing Gains against Losses A lecture by Dr. Renate Buschmann as part of the 38th Hessian Archive Day, Wiesbaden, June 16-17, 2015 AGNES MEYER-BRANDIS "THE MOON GOOSE COLONY" (2012), VIDEOSTILL © AGNES MEYER-BRANDIS & IMAI, 2015i Date 01.01.2015 Typ Video Still Edition Videostill-Edition 2015 With video stills from Robert Cahen, Freya Hattenberger, Gudrun Kemsa, Sunjha Kim, Mischa Kuball, Philipp Lachenmann, Van McElwee, Agnes Meyer-Brandis, Atsushi Ogata und Myriam Thyes. Year 2014 Typ Catalog The Invisible Force Behind: Materiality in Media Art Exhibition catalog for the Quadriennale Düsseldorf 2014 LUTZ MOMMARTZ | ZWEILEINWANDKINO | SKIZZE, AUSSCHNITT | 1968 © LUTZ MOMMARTZi Date 01.01.2014 Typ Case study Case Study 6: Lutz Mommartz, Zweileinwandkino, 1968 In this case study the IMAI worked the first time on conserving and restoring a work of art that employs film stock and film projectors. First page « Previous page ‹ … Seite 8 Seite 9 Seite 10 Seite 11 Seite 12 Seite 13 Current page 14 Seite 15 Seite 16 Next page › Last page »
Date 04.06.2023 - 26.05.2024 Typ Exhibition Paradise Tossed Based on the video of the same name by Jill Scott from 1992, the series brings together works that speculate about dystopian but also hopeful future scenarios from a (queer-)feminist perspective
Monika Funke Stern, Zum Glück gibt’s kein Patent, 1985, Filmstill © VG Bild-Kunst, Bonn 2023 für Monika Funke Sterni Date 01.01.2023 - 31.12.2024 Typ Projekt About the Noise in the Archives A diversity-sensitive approach to cataloguing the audiovisual holdings in the IMAI archive
Monika Funke Stern, Zum Glück gibt’s kein Patent, 1985, Filmstill © VG Bild-Kunst, Bonn 2023 für Monika Funke Sterni
© Akiko Hada, 2021i Date 01.06.2021 - 31.05.2022 Typ Projekt Fringe of the Fringe A conference that seeks to bring together queer-feminist and antiracist strategies for archiving and cataloging the audiovisual documents of punk, postpunk, new wave, and industrial.
ISTANBUL TIME TRAVEL EXPERIMENT (2010) © HÖRNER/ANTLFINGER (2016) i Date 22.06.2016 - 03.07.2016 Typ Workshop Time Travel Experiment Workshop Series Time Travel Experiment Hörner/Antlfinger in collaboration with the Dipl.-Psych. Assad Zahran, Head of the Milton Erickson Instituts Köln
Date 02.06.2016 - 03.06.2016 Typ Lecture Video Art in the Archive Preserve—Access—Research A lecture by Dr. Renate Buschmann 50. Rheinischer Archivtag, Siegburg, 2–3 June 2016
ROTRAUT PAPE: "DIE MAUER – DER VERTIKALE HORIZONT" (2015) © ROTRAUT PAPE 2016 © ROTRAUT PAPE 2016i Date 30.10.2015, 19:30 - 12.02.2016, 19:30 Typ Video Box VIDEO BOX 1 On Borders Curated by Dr. Renate Buschmann, Dr. Jessica Nitsche, Darija Šimunović
Date 24.09.2015 - 25.09.2015 Typ Lecture The IMAI Foundation Between Archive and Collection Lecture as part of the conference "Video matters. A Conference by the Research Project Video Archive" September 24-25, 2015
Date 24.06.2015,18:00 - 20:00 Typ Lecture Media Art between Historical Presentation Practice and Curatorial Staging
Date 16.06.2015 Typ Lecture Migration Processes in Video Art Weighing Gains against Losses A lecture by Dr. Renate Buschmann as part of the 38th Hessian Archive Day, Wiesbaden, June 16-17, 2015
AGNES MEYER-BRANDIS "THE MOON GOOSE COLONY" (2012), VIDEOSTILL © AGNES MEYER-BRANDIS & IMAI, 2015i Date 01.01.2015 Typ Video Still Edition Videostill-Edition 2015 With video stills from Robert Cahen, Freya Hattenberger, Gudrun Kemsa, Sunjha Kim, Mischa Kuball, Philipp Lachenmann, Van McElwee, Agnes Meyer-Brandis, Atsushi Ogata und Myriam Thyes.
Year 2014 Typ Catalog The Invisible Force Behind: Materiality in Media Art Exhibition catalog for the Quadriennale Düsseldorf 2014
LUTZ MOMMARTZ | ZWEILEINWANDKINO | SKIZZE, AUSSCHNITT | 1968 © LUTZ MOMMARTZi Date 01.01.2014 Typ Case study Case Study 6: Lutz Mommartz, Zweileinwandkino, 1968 In this case study the IMAI worked the first time on conserving and restoring a work of art that employs film stock and film projectors.