The Inter Media Art Institute regularly embarks on comprehensive research projects in the fields of art history, technology studies and conservation science dedicated to its own collection and beyond.
The video art channel IMAI-Play relies on a participatory presentation of the videos from the IMAI archive and invites users to curate, comment and discuss their own video programs.
Fringe of the Fringe
A conference that seeks to bring together queer-feminist and antiracist strategies for archiving and cataloging the audiovisual documents of punk, postpunk, new wave, and industrial.
Other Research Projects
Video Art History
Restauration Case Studies
Case Study 5: Nan Hoover, Light Composition
The IMAI has conducted a feasibility study on the recnstruction of this work and in the process grappled with the problem of restoring time-based works of art.
Case Study 4: Katharina Sieverding, Testcuts I
The installation Testcuts I by Katharina Sieverding was conceived and realized by the artist at the IMAI for the exhibition Projected Data Images: Testcuts as part of Quadriennale 2010.
Case Study 3: Bill Seaman, Exchange Fields
In collaboration with the Institut für Restaurierungs- und Konservierungswissenschaften of the Fachhochschule Köln and the agency 235 MEDIA GmbH, an appropriate restoration and restaging of Bill Seaman’s Exchange Fields were worked out and implemented.
Case Study 2: Gary Hill, In Situ, 1986
The mixed-media installation In Situ (1986) was restored in cooperation with the artist Gary Hill and then exhibited in the solo exhibition "Strange Trajectories". The last time the installation had been shown previously was in 1990.
Case Study 1: Studio Azzurro, Il nuotatore (va troppo spesso ad Heidelberg), 1984
"Il nuotatore" (1984) is the first media-art installation that the IMAI restored and restaged as part of the IMAI restoration project in cooperation with restorers, art historians, technicians, and the artists.