Miriam Gossing & Lina Sieckmann
The weird and the eerie
The film essays of Miriam Gossing and Lina Sieckmann are permeated by a tension that evokes a creepy atmosphere. The deserted interiors, backdrops, and decors look enigmatic and uncanny. The British pop theorist Mark Fisher, whom the artists evoke in their exhibition title, described this kind of deconstruction and alienation of reality as “weird and eerie.”
The artists choose symbolically charged places for their observations: single-family homes in American suburbia, high-rise chapels in Nevada, or the adventure architectures of a ferry staged as a cruise ship. Their films are characterized by a dramaturgy in which the protagonists remain invisible while their stories are told by an off-camera voice of compiled questions from interviews and fragments of chatroom contributions. The traces of the absent people become visible in fetishized objects that become unruly symbols of their unfulfilled desires and dreams.
This exhibition is part of the IN FOCUS series in which individual artists’ positions from the program of the IMAI Foundation are presented in the Video Lounge.
The exhibition will open on Saturday, 11 July 2020 at 10 a.m. The artists will be present from 6 to 9 p.m.
Souvenir (2019), 20:50 min. 16-mm film, transferred to HD video, color/sound
Sonntag, Büscherhöfchen 2 (Sunday, Büscherhöfchen 2) (2014), 13:23 min. 16-mm film, transferred to HD video, color/sound
Desert Miracles (2015), 11:41 min., 16-mm film, transferred to DCP, color/sound
The artists Miriam Gossing and Lina Sieckmann (b. 1988) live and work in Cologne and Portland, Oregon. They studied at the Kunsthochschule für Medien Köln and the Kunstakademie Düsseldorf. Their works have been shown in art museums and at film festivals such as the Hamburger Bahnhof in Berlin, the International Film Festival in Rotterdam, and Anthology Film Archives in New York. Their films have received such awards as the Deutscher Kurzfilmpreis and the NRW-Preis of the Kurzfilmtage Oberhausen. Since 2017 their works have been in the distribution program of the IMAI Foundation.To the artists’ website
Videolounge der Stiftung IMAI im
Tuesday - Thursday 11 a.m. - 18.00 p.m.
Friday 11 a.m. - 21.00 p.m.
Saturday 10 a.m. - 21.00 p.m.
Sunday 10 a.m. - 18.00 p.m.
Based on the video of the same name by Jill Scott from 1992, the series brings together works that speculate about dystopian but also hopeful future scenarios from a (queer-)feminist perspective
The Videonale Bonn and the IMAI present an online video art magazine and an exhibition at the Moltkerei Werkstatt, Cologne, complemented by the program series VIDEONALE.scope. -> Opening on Nov 24, 2023
Encountering disappearance and existence
Screening program with videos by Berlin-based artist Anna Zett
Flowers from the Underground
Independent music videos of the 1980s between concert, home video and music television
Screening program with independent music videos from IMAI's archive
"Sometimes it gets out of hand and turns into music"
Exhibition with concerts and performances at Kunsthalle Düsseldorf
Screening program with video works from and about Düsseldorf.
PROLONGED: also on view from 8/31 to 9/3/2022!
Episode 5 - selected by Hedda Schattanik and Roman Szczesny
The Düsseldorf artists Hedda Schattanik and Roman Szczesny have put together a screening program with works from the IMAI archive, including works by Chris Newman and Marcel Odenbach.
Episode 4 - selected by Ji Su Kang-Gatto
Düsseldorf-based artist Ji Su Kang-Gatto has put together a screening program with works from the IMAI archive. In addition to her own videos, she is showing works by Róbert Olawuyi and Margot Zanni.
Episode 3 - selected by Lukas Marxt
As part of the anniversary program HITTING PUBERTY - 15 Jahre Stiftung IMAI, young artists from the Foundation's distribution program present their own work relating to historical videos from the IMAI archive, which have been groundbreaking for their personal development.
The exhibition in the NRW Forum is open to visitors again.
Do Videos Dream of Glitching?
The students of the Master of Arts in Art Education Curatorial Studies at the Zürcher Hochschule der Künste discovered work on the subject of glitching as an aesthetic-conceptual tool and emancipatory strategy in the video art archive of the IMAI.