Timeline When the World Went Out of Tune with Itself I Don't Pay Your Price Circulating Copies Date 18.10.2025 - 29.11.2025 Typ Projekt When the World Went Out of Tune with Itself Together with Approximation Festival, we trace feminist legacies in experimental electronic soundtracks Das Bild zeigt das Kopfporträt einer dunkelhaarigen, weiblich gelesenen Person. Mit ihrer linken, schwarz behandschuhten Hand bedeckt sie ihr linkes Auge. Rosa- und Blautöne dominieren das computerverfremdete Bild. © unbekannti Date 08.11.2024, 16:00 - 08.12.2024, 18:00 Typ Exhibition I Don't Pay Your Price Queerfeminist Interventions with the Video Camera An exhibition with new discoveries from the IMAI archive Dudu Quintanilha, Erotics in Participation, 2024, ©the Artist Dudu Quintanilha, Erotics in Participation, 2024, ©the Artisti Date 05.04.2024 - 05.05.2024 Typ Exhibition Circulating Copies For Circulating Copies, IMAI – Inter Media Art Institute will present a selection of video works from its own collection in dialog with newly commissioned works in public spaces throughout Düsseldorf and beyond from 5 April to 5 May 2024. From Until Category CategoryExhibitionsDistributionResearchProjectsScreeningsVideo BoxIMAI on TourPublicationsLecturesWorkshops Location LocationAachenBerlinBielefeldCologneDessauDüsseldorfEssenGhentMainzOberhausenSchwerteSiegburgWiesbaden NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Year 2014 Typ Book The Presence of the Ephemeral Accompanies the eponymous conference in November 2012. It was supplemented by the IMAI’s latest case study on the restoration of Zweileinwandkino (1968) by Lutz Mommartz. MISCHA KUBALL | CITY THRU GLASS, NY NIGHT, 1997 | VIDEOSTILL | © DER KüNSTLER UND IMAI DüSSELDORF, 2013 © DER KüNSTLER UND IMAI DüSSELDORF, 2013i Date 12.12.2013 - 13.12.2013 Typ Lecture Is Originality Copiable? On the Challenge of Digital Duplication in Media Art Conference Nationaler Kultureinrichtungen, Stiftung Bauhaus Dessau, December 12th and 13th, 2013 Gary Hill, Klaus Mettig, Katharina Sieverding VG Bild-Kunst, Bonn 2012i Year 2013 Typ Book Media-Art Installations: Preservation and Presentation NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Date 18.11.2012 Typ Case study Case Study 5: Nan Hoover, Light Composition The IMAI has conducted a feasibility study on the recnstruction of this work and in the process grappled with the problem of restoring time-based works of art. NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) © FOTO ELISABETH JAPPE, 2012i Date 15.11.2012, 10:18 Typ Conference The Presence of the Ephemeral Media Art in the Field of Tension between Conservation and Interpretation JAN VERBEEK "SISYPHOS" (1994/2012) i Year 2012 Typ Catalog Images against Darkness On the occasion of the exhibition Images against Darkness: Video Art from the IMAI Archive at KIT at KIT STUDIO AZZURRO: SKIZZE MULTI-MONITOR-INSTALLATION (1984) © STUDIO AZZURRO 1984i Date 01.01.2006 - 01.01.2011 Typ Projekt Case Studies on Restoration Methods for the long-term preservation of media art installations. KATHARINA SIEVERDING | TESTCUTS I | 2010 © IKS-MEDIENARCHIV / DIRK ROSEi Date 13.10.2010 Typ Case study Case Study 4: Katharina Sieverding, Testcuts I The installation Testcuts I by Katharina Sieverding was conceived and realized by the artist at the IMAI for the exhibition Projected Data Images: Testcuts as part of Quadriennale 2010. BILL SEAMAN, 3D-COMPUTER-ZEICHNUNG VON EXCHANGE FIELDS i Date 20.08.2010 Typ Case study Case Study 3: Bill Seaman, Exchange Fields In collaboration with the Institut für Restaurierungs- und Konservierungswissenschaften of the Fachhochschule Köln and the agency 235 MEDIA GmbH, an appropriate restoration and restaging of Bill Seaman’s Exchange Fields were worked out and implemented. First page « Previous page ‹ … Seite 10 Seite 11 Seite 12 Seite 13 Seite 14 Seite 15 Seite 16 Current page 17 Seite 18 Next page › Last page »
Date 18.10.2025 - 29.11.2025 Typ Projekt When the World Went Out of Tune with Itself Together with Approximation Festival, we trace feminist legacies in experimental electronic soundtracks
Das Bild zeigt das Kopfporträt einer dunkelhaarigen, weiblich gelesenen Person. Mit ihrer linken, schwarz behandschuhten Hand bedeckt sie ihr linkes Auge. Rosa- und Blautöne dominieren das computerverfremdete Bild. © unbekannti Date 08.11.2024, 16:00 - 08.12.2024, 18:00 Typ Exhibition I Don't Pay Your Price Queerfeminist Interventions with the Video Camera An exhibition with new discoveries from the IMAI archive
Das Bild zeigt das Kopfporträt einer dunkelhaarigen, weiblich gelesenen Person. Mit ihrer linken, schwarz behandschuhten Hand bedeckt sie ihr linkes Auge. Rosa- und Blautöne dominieren das computerverfremdete Bild. © unbekannti
Dudu Quintanilha, Erotics in Participation, 2024, ©the Artist Dudu Quintanilha, Erotics in Participation, 2024, ©the Artisti Date 05.04.2024 - 05.05.2024 Typ Exhibition Circulating Copies For Circulating Copies, IMAI – Inter Media Art Institute will present a selection of video works from its own collection in dialog with newly commissioned works in public spaces throughout Düsseldorf and beyond from 5 April to 5 May 2024.
Dudu Quintanilha, Erotics in Participation, 2024, ©the Artist Dudu Quintanilha, Erotics in Participation, 2024, ©the Artisti
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Year 2014 Typ Book The Presence of the Ephemeral Accompanies the eponymous conference in November 2012. It was supplemented by the IMAI’s latest case study on the restoration of Zweileinwandkino (1968) by Lutz Mommartz.
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i
MISCHA KUBALL | CITY THRU GLASS, NY NIGHT, 1997 | VIDEOSTILL | © DER KüNSTLER UND IMAI DüSSELDORF, 2013 © DER KüNSTLER UND IMAI DüSSELDORF, 2013i Date 12.12.2013 - 13.12.2013 Typ Lecture Is Originality Copiable? On the Challenge of Digital Duplication in Media Art Conference Nationaler Kultureinrichtungen, Stiftung Bauhaus Dessau, December 12th and 13th, 2013
MISCHA KUBALL | CITY THRU GLASS, NY NIGHT, 1997 | VIDEOSTILL | © DER KüNSTLER UND IMAI DüSSELDORF, 2013 © DER KüNSTLER UND IMAI DüSSELDORF, 2013i
Gary Hill, Klaus Mettig, Katharina Sieverding VG Bild-Kunst, Bonn 2012i Year 2013 Typ Book Media-Art Installations: Preservation and Presentation
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i Date 18.11.2012 Typ Case study Case Study 5: Nan Hoover, Light Composition The IMAI has conducted a feasibility study on the recnstruction of this work and in the process grappled with the problem of restoring time-based works of art.
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) | © FOTO ELISABETH JAPPE, 2012 © FOTO ELISABETH JAPPE, 2012i
NAN HOOVER LIGHT COMPOSITION: DOCUMENTA 8 (1987) © FOTO ELISABETH JAPPE, 2012i Date 15.11.2012, 10:18 Typ Conference The Presence of the Ephemeral Media Art in the Field of Tension between Conservation and Interpretation
JAN VERBEEK "SISYPHOS" (1994/2012) i Year 2012 Typ Catalog Images against Darkness On the occasion of the exhibition Images against Darkness: Video Art from the IMAI Archive at KIT at KIT
STUDIO AZZURRO: SKIZZE MULTI-MONITOR-INSTALLATION (1984) © STUDIO AZZURRO 1984i Date 01.01.2006 - 01.01.2011 Typ Projekt Case Studies on Restoration Methods for the long-term preservation of media art installations.
KATHARINA SIEVERDING | TESTCUTS I | 2010 © IKS-MEDIENARCHIV / DIRK ROSEi Date 13.10.2010 Typ Case study Case Study 4: Katharina Sieverding, Testcuts I The installation Testcuts I by Katharina Sieverding was conceived and realized by the artist at the IMAI for the exhibition Projected Data Images: Testcuts as part of Quadriennale 2010.
BILL SEAMAN, 3D-COMPUTER-ZEICHNUNG VON EXCHANGE FIELDS i Date 20.08.2010 Typ Case study Case Study 3: Bill Seaman, Exchange Fields In collaboration with the Institut für Restaurierungs- und Konservierungswissenschaften of the Fachhochschule Köln and the agency 235 MEDIA GmbH, an appropriate restoration and restaging of Bill Seaman’s Exchange Fields were worked out and implemented.
