Against a red background, the word “FEHLT” (“MISSING”) is repeated in white capital letters. The lettering forms broad, diagonal red bands that partially obscure the body of a person. The person’s head and shoulders are visible between the bands. The person is perceived as white and male, wearing a dark suit with a light-colored shirt and short, gelled hair. Their intense gaze focuses on a point between the bands, looking directly at us.
© Charli Pape und Andreas Coerper, VG Bild-Kunst, Bonn 2026.i

"I feel like something is missing"

Image Description

Against a red background, the word “FEHLT” (“MISSING”) is repeated in white capital letters. The lettering forms broad, diagonal red bands that partially obscure the body of a person. The person’s head and shoulders are visible between the bands. The person is perceived as white and male, wearing a dark suit with a light-colored shirt and short, gelled hair. Their intense gaze focuses on a point between the bands, looking directly at us.


Event

“I feel like something is missing,” says the couple in Raskin’s 1991 video work Du hast kein Herz [You Have No Heart], before the work explores the dynamics of their relationship in all its facets. More than thirty years later, the artist duo Cyanlila takes this historical work as its starting point, approaching it through an experimental audio description. Video works by Maria Vedder & Bettina Gruber, Dieter Kiessling and Ulrike Rosenbach from the archive of IMAI – Inter Media Art Institute are also revisited by Cyanlila through artistic and experimental audio descriptions. Blurring the boundaries between radio drama and soundscape, the project takes audiences on a journey through video art from the 1970s to the 1990s. From a queer-feminist perspective, Cyanlila explores this history, immersing audiences in a world of bubbling whisks and swimming taps. What is missing becomes audible.

Cyanlila consists of Lilian Korner (Blind cultural studies scholar, access dramaturg and inclusion activist) and Conny Walter (radio drama creator and editor). Together, they develop artistic forms of audio description to make visual culture accessible to Blind and Visually impaired people.

The screening will be followed by a discussion with Cyanlila (Lilian Korner and Conny Walter), performer and dramaturg Sabine Kuxdorf, and artist Bernd Oppl.


Venue

Black Box Kino at the Filmmuseum Düsseldorf
Schulstraße 4
40213 Düsseldorf
 

Registration

Admission is free. Please register at jg@stiftung-imai.de or +49 211 54 23 09 94.

Program

In the 1970s and 1980s, Bettina Gruber and Maria Vedder created pioneering early works of video art in Cologne. In Catfish Tango, they now join forces with Cyanlila to transport their audience to a submerged underwater world, where kitchen utensils, cocktail umbrellas and other everyday objects take on the forms of strange fish and marine creatures. A cat-like figure connects this mysterious world with the vastness of outer space, setting the scene for a playful journey between reality and imagination.

Voice: Imke Daum 
Sound engineering: Jannis Wulle

In Signale für Hausfrauen [Signals for Housewives], Ulrike Rosenbach gives instructions for preparing a vegetable soup in a monotonous voice while repeatedly bringing a dagger dangerously close to her own face. The work combines two video pieces from the 1970s, whose footage Rosenbach has reworked into a new piece. In her characteristic manner, she continues her exploration of social roles and power relations through video art.

Voice: Ana Berkenhoff
Musical saw: Carlos Franke 
Sound engineering: Jannis Wulle

In Du hast kein Herz [You Have No Heart], a couple communicate through fragmented dialogues about their relationship, shaped by accusations, misunderstandings, repetition and moments of speechlessness. Rotraut Pape and Andreas Coerper, who presented their video and sound works under the name Raskin from 1987 onwards, engage in a direct dialogue with one another. Facial expressions, pauses, sentence fragments and typographic images continuously shift the meaning of the spoken words, repeatedly renegotiating the relationship between what is said and what remains unspoken.  

Voices: Carlos Franke and Conny Walter
Sound engineering: Jannis Wulle

In Fallende Scheibe [Falling Disc], an apparently stable image plane begins to wobble. Since the 1980s, Dieter Kiessling has worked with video, photography and media installations in Düsseldorf and Berlin. In this video, an initially simple composition develops an unexpected spatial dynamic that challenges the audience’s perception. The work is presented with three different audio descriptions.

Voices: Dieter Kiessling, Conny Walter und Imke Daum
Sound engineering: Jannis Wulle

Panel

Lilian Korner is a Blind cultural studies scholar, access dramaturg, and inclusion activist. After studying philosophy, literary studies, and art history in Düsseldorf and completing a master’s degree in Ästhetik in Frankfurt, Korner develops concepts for cultural participation by, with, and for the Blind and Visually impaired community.

Sabine Kuxdorf is a blind performer, access dramaturg, and audio description writer. She regularly teaches seminars on creative audio description for film at the University of Hildesheim and is committed to fostering exchange and networking among professionals in the field of audio description.

Bernd Oppl is a Blind interdisciplinary artist. Alongside his independent artistic practice, he teaches and conducts research at the Academy of Fine Arts Vienna, where he works as a Senior Lecturer in Disability Studies and Crip Theory in relation to artistic practice.

Conny Walter works as a radio drama producer and editor, among other things. She studied theatre studies in Giessen and was a guest student in the Literary Writing and Accessible Communication programmes at the University of Hildesheim. Her work has been broadcast on SWR and Deutschlandfunk Kultur and presented at the Giennale and the Theater Natur Festival.

Accessibility

Accessible parking at Contipark Altstadt Rheinufer underground car park (approx. 150 m). Access only via the Rheinufer Tunnel; the nearest public accessible parking spaces are at Carlsplatz and Burgplatz.  

Accessible public transport stops nearby: Benrather Straße (approx. 300 m): Tram lines: U71, U72, U73, U83, Poststraße (approx. 500 m): Tram lines: 706, 708, 709.

 

A temporary, tested tactile guidance system is in place.

The main entrance is step-free.  

Handrails are provided on both sides throughout the stairwell.

All doors are at least 90 cm wide.  

A lift is available (door width: 125 cm, cabin dimensions: approx. 125 × 250 cm).  

A wheelchair space is available in the Black Box.

Access to the wheelchair space in the cinema is via an automated door.  

An accessible toilet is available (door width: 100 cm, approach from one side only, manoeuvring space to the right of the toilet: 80 × 120 cm). The accessible toilet can be reached via the lift.

 

Audio Description: All videos are presented with integrated audio description.
   

Pick-up Service and Return Journey: If you wish, we can meet you at Heinrich-Heine-Allee underground station at 3:00 pm or 3:30 pm and accompany you to the Film Museum. We will arrange the exact meeting point at Heinrich-Heine-Allee with you individually when you register. After the event, we can accompany you back to Heinrich-Heine-Allee at 5:40 pm or 6:30 pm, if required. If you would like to use the pick-up and return service, please register by email at jg@stiftung-imai.de or by telephone on +49 211 54 23 09 94 by 23 November.  

Personal Assistants: Personal assistants will be present at the event and can provide support if needed.  

Assistance dogs are welcome.  

The event will be held in spoken German.  

Further Accessibility Information

 

 

by Lilian Korner  

Depending on which direction you arrive from by underground, the route starts differently. Both routes lead to the same escalator. From the escalator onwards, the route is the same.

Option 1: Arriving on the U71, U72, U73 or U83 from the direction of Heinrich-Heine-Allee / Rath / Ratingen / Gerresheim

Go up the stairs from the platform. The right-hand stair railing bears the inscription “Richtung Heinrich-Heine-Allee”, while the left-hand railing bears the inscription “Breite Straße”.

At the top, you will reach a tactile guidance system. Follow the guidance line to the first attention field and turn right.

Follow the guidance line to the next attention field and turn right again.  

Continue following the guidance line. Along this section, you will first pass two attention fields without turning. At the third attention field, turn right.

Continue to the next attention field and turn left. The escalator going up is in front of you.

Option 2: Arriving on the U71, U72, U73 or U83 from the direction of Bilk / Universität / Benrath

Go up the stairs from the platform. The left-hand stair railing bears the inscription “Richtung Bilk”, while the right-hand railing bears the inscription “Breite Straße”.

At the top, you will come directly to a guidance line, followed shortly by an attention field. Turn left there.

Follow the guidance line to the next attention field. Here, the guidance line leads to the left. Turn left and continue following it.  

At the next attention field, turn left again.

Continue straight ahead until you reach another attention field, then turn left again. The escalator going up is in front of you.

Common Route from the Escalator  

Take the escalator up. At the top, turn right. After about two to three steps, you will reach a wall.

Turn left and use the wall on your right as a guide. You are now walking along Benrather Straße. The street runs to your left. On your right, there is a wall interrupted at regular intervals by shop entrances.  Shortly before the first road crossing, you will come across a tactile guidance line. Do not follow it; continue straight ahead.

After a few steps, you will reach the intersection of Hohe Straße and Benrather Straße. Carlsplatz is on your right. Cross Hohe Straße straight ahead in your direction of travel and continue along Benrather Straße.

After crossing the road, continue using the buildings or boundary on your right as a guide. After a few metres, Carlsplatz opens up to your right.

Here, you can also use a change in the pavement as a guide: the main pavement consists of relatively smooth stones. Along its right-hand edge, the stones have a slightly rougher surface. You can use this edge for orientation. Please be aware that objects may be placed on or along this edge.

Continue straight ahead. Benrather Straße continues along your left-hand side and can also serve as an auditory point of reference.

You will cross another dotted tactile guidance line. Do not follow it. Continue for another two to three steps, then cross Bilker Straße straight ahead.  

Caution: There is a café directly on the opposite side of the street. Its tables may extend well onto the pavement.

Continue straight ahead along the pavement. The pavement becomes slightly narrower here. There are also several street lamps along this stretch.  

After a while, you will reach another side street. Do not cross it. The pavement curves to the right here. Follow the curve.

There is another wall on your right. Follow it. The wall contains several garage doors and driveways. The doors may be open or closed.  

Continue following the wall or the path until you come to a wall directly ahead.

Turn left and continue following the wall on your right. There are garage doors here as well.  

Continue along the wall until the street takes a sharp right turn.

At the corner, turn right and walk a few steps until you reach a large plant pot.  

Use the plant pot as a reference point to orient yourself, then cross Hafenstraße as straight as possible. Hafenstraße is paved with cobblestones.

On the other side of the street, continue straight ahead for about five steps. You will either come directly to a wall or reach the corner of a building.  

If you come directly to the wall, turn left, walk to the end of the wall, then turn right again.

If you reach the corner of the building instead, you can continue straight ahead.  

In both cases, the building wall will then be on your right. Use it as a guide.

Continue following the wall. Further along, it forms part of the Ceramics Museum.  

After a few metres, the entrance to the Ceramics Museum opens up on your right. Do not turn in there; continue straight ahead.

Shortly afterwards, you can once again use the wall on your right as a guide.  

Further along, the wall has a protruding section. You can ignore it and continue straight ahead

When the wall ends for the second time, the entrance area of the Film Museum opens up on your right.  

Continue following the wall on your right for a few more steps. Then turn left and move two to three steps away from the wall, as there may be bicycle racks and bicycles further along. Then turn right and walk straight ahead for a few steps until you reach a wall.

When you reach the wall in front of you, turn left. Once you come to a pillar directly ahead, you have reached the entrance to the Film Museum.  

Once you have located the pillar, walk past it. The entrance to the Film Museum is immediately to your right, just beyond the pillar.

In collaboration with

"Es fehlt mir etwas" is generously supported by

IMAI - Inter Media Art Institute is generously supported by

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